Death of a salesman -
Miller

Tel Aviv Habima Theatre, 1992.

“School for Wives should run forever.”
SCHOOL FOR WIVES - MOLIERE
The Jerusalem Post, 1987, Pamela Katz

"Laszlo Marton's production of 'The School for Wives' is a triumph of theatrical imagination and human insight... With his ear to the heart of the play, Marton hears Moliere in every role and weaves together those separate voices to re-create his inner world - the mind as mirror - onstage.
A warm directorial hand cradles all the various production elements together, grounding set, costumes, lighting, music and performance style in the voice of the play.

THE SCHOOL FOR WIVES - MOLIERE
The New Mexican, 1996, Carrie Luft

“This is a splendid example of bringing traditional subject on to the stage in a way which interests the modern viewer… It is completely free from tradition, however, at the same time it justifies the author, it is striking and fluently proceeding and it has been a school for the performers, too.”

“Moliere was taken as a living author. The tradition was ignored as if one had never even heard of it. Decisions made in the production were original yet based on the text… The Hungarians do what they promise. It is welcome!"
SCHOOL FOR WIVES - MOLIERE

Helsingin Sanomat, 1976, Sole Uexküll