1967

de Filippo, Eduardo

The Art of Comedy - The Silk Hat

1968

Dóczy, Lajos

The Kiss

1968

Tabi, László

Can You Speak Spanish

1969

Szabó, György

Love, Closed in the Cupboard

1969

Thurzó, György

For How Long Can Be One an Angel?

1969

Maugham, Sommerset

Theatre

1970

Szabó, György

Napóleon and Napóleon

1970

Simon, Neil

Plaza Suite

1971

Williams, Tennessee

Summer and Smoke

1971

Feydeau, Georges

A Flea in her Ear

1972

Tersánszky, Józsi Jenõ

Bye-bye, Darling

1972

Szomory, Dezsõ

Bella

1972

Valentyin Katajev

Squaring the Circle

1973

Déry, Tibor-Presser, Gábor-Adamis, Anna-Pós, Sándor

An Imaginary Report on an American Pop Festival

1973

Moliére

The School for Wives

1974

Buero Vallejo, Antonio

The Dreams of Reason

1975

Bereményi, Géza-Kern, András-Marton, László-Radnóti, Zsuzsa-Adamis, Anna-Presser, Gábor

I am Thirty

1975

Plenzdorf, Ulrich

Further Sufferings of W. Junior

1976

Goldoni, Carlo

The Mistress of the Inn

1976

Hernádi, Gyula

Royal Hunt

1977

Fejes, Endre-Presser, Gábor

Good Evening Summer, Good Evening Love!

1978

Bereményi, Géza

Cubic Space

1980

Kleist, Heinrich von

The Prince of Homburg

1980

Bulgakov, Mihail

The Royal Comedians

1981

Kroetz, Franz Xaver

The Hunt

1982

Szörényi, Levente-Bródy, János-Sarkadi, Imre-Ivánka, Csaba

Tower

1982

Székely, János

King Bela the Blind

1982

Feydeau, Georges

The Dupe

1983

Shakespeare, William

A Midsummer Night’s Dream

1984

Shakespeare, William

Richard II

1985

Rejtõ, Jenõ-Schwajda, György

The Invisible Legion

1986

Bulgakov, Mihail

Ivan the Terrible

1986

Vega, Lope de

Star of Seville

1987

Gyurkovics, Tibor

Push Up

1988

Presser, Gábor-Sztevanovity, Dusán-Horváth, Péter

The Attic

1988

Székely, János

The Proconsul of Caligula

1989

Spiró, György-Másik, János

As We Do It

1990

Zágon, István-Somogyi, Gyula-Eisemann, Mihály

Black Peter

1990

Shakespeare, William

Richard III

1992

Goldoni, Carlo

Servant of Two Masters

1994

Miller, Arthur

Incident at Vichy

1994

Békés, Pál-Theatre du Compagnole

Let’s Dance Together

1995

Shakespeare, William

Machbeth

1996

McNally, Terence

Masterclass

1997

Gurney, Albert Ramsdell

Sylvia

1998

Kern, András-Presser, Gábor

Szent István Boulevard 14.

2000

Esterházy - Igó -Rácz

A woman

Operett Színház

Fényes, Szabolcs-Békeffy, László

What Did You Lose, Miss?

Bartók Gyermekszínház

Fényes, Szabolcs-Romhányi, József

Cinderella

Eger-Lyceum udvar

Szigligeti, Ede

Liliomfi

Gyula-Várszínház

Székely, János

King Bela the Blind

”Marton’s staging delights the audience with the unexceptional understanding of the classical farce-style and with its exceedingly tasteful realization.”
A FLEA IN HER EAR - FEYDEAU

Magyar Nemzet, 17 November, 1971. András Barta

"László Marton's witty direction with youthful temperament portions humor, piquancies and parody with taste and modesty."
THE KISS -DÓCZY

Népszabadság, 17 April, 1968. Tamás Koltai

„Two great interpretations and an elegant direction may console the discouraged and the culture-pessimists.”
HOTEL PLAZA - SIMON

Magyar Nemzet, 20 December 1970. Tamás Ungvári

„Marton unravelled the shocking timeliness and brought together all that is beyond words.”
THE SCHOOL FOR WIVES - MOLIERE

Film, Színház, Muzsika, 24 November, 1973. László Dalos

“Katajev’s satire is take up with gusto and humor in its revival.”
SQUARING THE CIRCLE - KATAJEV

Plays and Players, June 1973, Frank Lipsus

“Believe me, I’m not exaggerating when I say that it was the artistic faith and ability of this theatre which turned this beautiful but seemingly impossible dream into true and real theatre.”
IMAGINARY REPORT - DÉRY

The Times, London, September, 1973.

“It is impossible to stay out of the power of the performance, and now with so many unimaginative, boring plays, that’s an extra pleasure.”
KÕMÛVES KELEMEN/TOWER (OR CLEMENT THE MASON) - SARKADI-IVÁNKA-SZÖRÉNYI BRÓDY

Pest Megyei Hirlap, 27 February, 1982. István Takács

“The play’s treatment of problems of past and present provide a thoughtprovoking thrill on the stage of the Comedy Theatre…”
I AM THIRTY - BEREMÉNYI-KERN-MARTON-RADNÓTI-ADAMIS-PRESSER

Daily News, 19 March, 1975. Baló György

“Nowadays Vígszínház is the best theatre of Budapest, one of the reasons is, that this company is the most successful in supporting the contemporary Hungarian drama.
CUBIC SPACE - BEREMÉNYI

Tükör, 26 November, 1978. Tamás Koltai

“…And it is impressive, in the most positive sense of the word. Marton’s winged but self-disciplined artistic phantasy holds the soul, the attention and the taste of the audience for two-and-a-half hours.”
THE PRINCE OF HOMBURG - KLEIST

Esti Hirlap, 11 January, 1980. Flóra Fencsik

„This production is a splendid proof of dramatic art being independent art...It is not only the best Hungarian staging of Moliere, but also the playwright Bulgakov’s most complex representation in our theatre art.”
THE ROYAL COMEDIANS - BULGAKOV

Népszava, 6 November, 1980. András Rajk

„Laszlo Marton’s clear, analytic direction …is without fake illusions and through its simplicity it shows up the virtues of the play…”
KING BELA THE BLIND - SZÉKELY

Népszabadság, Budapest, 5 November, 1982. Tamás Tarján

“This new work found the company in splendid form under the guidance of the theatre’s artistic director, Laszlo Marton”
PUSH-UP - TIBOR GYURKOVITS

Plays International, 1987, Mia Nadasi

"In László Marton's direction we have seen a show that is intense and of first-class... It is an outstanding studio production."
THE HUNT

Népszava, 7 May, 1981. András Rajk

„Laszlo Marton discovers the subtext with an exceptional care and philologic precisity and manages to enrich and accelerate it with a real burst of ideas.”
A MIDSUMMER NIGHT’S DREAM - SHAKESPEARE

Népszava, 26 April, 1983. Judit Csáki

„Marton’s production is breathtaking, thrilling and highly tensioned.”
THE PROCONSUL OF CALIGULA - SZÉKELY

Kritika, 13 January, 1989. Gábor Novák

„Passionately up-to-date (...) The production is elaborated to the smallest details and is rich with thousands of ideas. A first-class staging.”
AS WE DO IT - SPIRÓ-MÁSIK

Képes 7, 6 May, 1989. Tamás Barabás

"Artistic director László Marton's taste, culture and self-restrained is without any mistakes."
INCIDENT AT VICHY - MILLER

Népszabadság, 10 January, 1994. Péter Molnár Gál

“....innovative staging...great production!”
RICHARD III - SHAKESPEARE

Newsweek, 3 January, 1992, Michael Meyer

"László Marton directed a truly modern and excellent performance that is thrilling and exciting. It is full of astonishing moments, great scenes as well as monumental interpretations."
MACHBETH - SHAKESPEARE

Pesti Mûsor, 21 December, 1995. Tamás Barnabás

“Marton’s direction  builts on music with enermous pleasure without distorting the plays dramatic structure and also avoids the traps of extravagacies.”
MASTERCLASS - McNALLY

Magyar Hírlap, 16 November, 1996. Anna Földes

“Artistic director Laszlo Marton’s taste, culture and self-restrained direction gives a nice, joyful theatre evening to the theatre’s guests.”
SYLVIA - GURNEY

Népszabadság, 29 September, 1997. Gál Péter Molnár

“Director Laszlo Marton’s vivid and mobile ideas are almost overflowingly rich.”
14 SZENT ISTVAN BOULEVARD - KERN-PRESSER

Magyar Hírlap, 24 October, 1998. Anna Földes

“Laszlo Marton professionally staged the work of a professional writer”
POPCORN-ELTON

Magyar Hírlap, 2 January, 1999. Anna Földes

"There is a woman. She loves me. There is a woman. She hates me."
(Péter Esterházy)
A WOMAN - ESTERHÁZY - IGÓ - RÁCZ
(a theatre evening from Péter Esterházy's novel)

1 February, 2000.