| |
1967
|
de
Filippo, Eduardo
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|
The
Art of Comedy - The Silk Hat
|
|
| |
1968
|
Dóczy,
Lajos
|
|
The
Kiss
|
|
|
| |
1968
|
Tabi,
László
|
|
Can
You Speak Spanish
|
|
|
| |
1969
|
Szabó,
György
|
|
Love,
Closed in the Cupboard
|
|
|
| |
1969
|
Thurzó,
György
|
|
For
How Long Can Be One an Angel?
|
|
| |
1969
|
Maugham,
Sommerset
|
|
Theatre
|
|
|
| |
1970
|
Szabó,
György
|
|
Napóleon
and Napóleon
|
|
|
| |
1970
|
Simon,
Neil
|
|
Plaza
Suite
|
|
|
| |
1971
|
Williams,
Tennessee
|
|
Summer
and Smoke
|
|
|
| |
1971
|
Feydeau,
Georges
|
|
A
Flea in her Ear
|
|
|
| |
1972
|
Tersánszky,
Józsi Jenõ
|
|
Bye-bye,
Darling
|
|
|
| |
1972
|
Szomory,
Dezsõ
|
|
Bella
|
|
|
| |
1972
|
Valentyin
Katajev
|
|
Squaring
the Circle
|
|
|
| |
|
|
|
|
|
|
| |
1973
|
Déry,
Tibor-Presser, Gábor-Adamis, Anna-Pós, Sándor
|
|
An
Imaginary Report on an American Pop Festival
|
|
| |
1973
|
Moliére
|
|
The
School for Wives
|
|
|
| |
1974
|
Buero
Vallejo, Antonio
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|
The
Dreams of Reason
|
|
|
| |
1975
|
Bereményi,
Géza-Kern, András-Marton, László-Radnóti, Zsuzsa-Adamis, Anna-Presser,
Gábor
|
|
I
am Thirty
|
|
|
| |
|
|
|
|
|
|
| |
1975
|
Plenzdorf,
Ulrich
|
|
Further
Sufferings of W. Junior
|
|
| |
1976
|
Goldoni,
Carlo
|
|
The
Mistress of the Inn
|
|
|
| |
1976
|
Hernádi,
Gyula
|
|
Royal
Hunt
|
|
|
| |
1977
|
Fejes,
Endre-Presser, Gábor
|
|
Good
Evening Summer, Good Evening Love!
|
|
| |
1978
|
Bereményi,
Géza
|
|
Cubic
Space
|
|
|
| |
1980
|
Kleist,
Heinrich von
|
|
The
Prince of Homburg
|
|
|
| |
1980
|
Bulgakov,
Mihail
|
|
The
Royal Comedians
|
|
|
| |
1981
|
Kroetz,
Franz Xaver
|
|
The
Hunt
|
|
|
| |
1982
|
Szörényi,
Levente-Bródy, János-Sarkadi, Imre-Ivánka, Csaba
|
|
Tower
|
|
|
| |
1982
|
Székely,
János
|
|
King
Bela the Blind
|
|
|
| |
|
|
|
|
|
|
| |
1982
|
Feydeau,
Georges
|
|
The
Dupe
|
 |
|
| |
1983
|
Shakespeare,
William
|
|
A
Midsummer Night’s Dream
|
|
| |
1984
|
Shakespeare,
William
|
|
Richard
II
|
|
| |
1985
|
Rejtõ,
Jenõ-Schwajda, György
|
|
The
Invisible Legion
|
|
| |
|
|
|
|
|
| |
1986
|
Bulgakov,
Mihail
|
|
Ivan
the Terrible
|
|
| |
1986
|
Vega,
Lope de
|
|
Star
of Seville
|
|
| |
1987
|
Gyurkovics,
Tibor
|
|
Push
Up
|
|
| |
1988
|
Presser,
Gábor-Sztevanovity, Dusán-Horváth, Péter
|
|
The
Attic
|
|
| |
1988
|
Székely,
János
|
|
The
Proconsul of Caligula
|
|
| |
1989
|
Spiró,
György-Másik, János
|
|
As
We Do It
|
|
| |
1990
|
Zágon,
István-Somogyi, Gyula-Eisemann, Mihály
|
|
Black
Peter
|
|
| |
1990
|
Shakespeare,
William
|
|
Richard
III
|
|
| |
1992
|
Goldoni,
Carlo
|
|
Servant
of Two Masters
|
|
| |
1994
|
Miller,
Arthur
|
|
Incident
at Vichy
|
|
| |
|
|
|
|
|
| |
1994
|
Békés,
Pál-Theatre du Compagnole
|
|
Let’s
Dance Together
|
|
| |
1995
|
Shakespeare,
William
|
|
Machbeth
|
|
| |
1996
|
McNally,
Terence
|
|
Masterclass
|
|
| |
1997
|
Gurney,
Albert Ramsdell
|
|
Sylvia
|
|
| |
1998
|
Kern,
András-Presser, Gábor
|
|
Szent
István Boulevard 14.
|
|
| |
1998 |
Elton,
Ben |
|
Popcorn |
|
| |
2000
|
Esterházy
- Igó -Rácz
|
|
A
woman
|
|
| |
|
|
|
|
|
| |
2000 |
Neil
Simon |
|
The
Odd Couple |
|
| |
2001 |
Ibsen |
|
A
Doll's House |
|
| |
2002 |
György
Spiró |
|
Black-out
|
|
| |
2002 |
Tolstoj |
|
Legend
of A Horse |
|
| |
|
|
|
|
|
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| |
|
|
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 |
 |
”Marton’s
staging delights the audience with the unexceptional understanding of
the classical farce-style and with its exceedingly tasteful realization.”
A
FLEA IN HER EAR - FEYDEAU
Magyar
Nemzet, 17 November, 1971. András Barta
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|
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|
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"László
Marton's witty direction with youthful temperament portions humor, piquancies
and parody with taste and modesty."
THE KISS -DÓCZY
Népszabadság,
17 April, 1968. Tamás Koltai
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|
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|
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 |
„Two
great interpretations and an elegant direction may console the discouraged
and the culture-pessimists.”
HOTEL
PLAZA - SIMON
Magyar
Nemzet, 20 December 1970. Tamás
Ungvári
|
|
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|
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„Marton
unravelled the shocking timeliness and brought together all that is beyond
words.”
THE
SCHOOL FOR WIVES - MOLIERE
Film,
Színház, Muzsika, 24 November, 1973. László Dalos
|
|
| |
|
|
|
| |
 |
“Katajev’s
satire is take up with gusto and humor in its revival.”
SQUARING
THE CIRCLE - KATAJEV
Plays
and Players, June 1973, Frank Lipsus
|
|
| |
|
|
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 |
“Believe
me, I’m not exaggerating when I say that it was the artistic faith and
ability of this theatre which turned this beautiful but seemingly impossible
dream into true and real theatre.”
IMAGINARY
REPORT - DÉRY
The
Times, London, September, 1973.
|
|
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|
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| |
 |
“It
is impossible to stay out of the power of the performance, and now with
so many unimaginative, boring plays, that’s an extra pleasure.”
KÕMÛVES
KELEMEN/TOWER (OR CLEMENT THE MASON) - SARKADI-IVÁNKA-SZÖRÉNYI BRÓDY
Pest
Megyei Hirlap, 27 February, 1982. István Takács
|
|
| |
|
|
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| |
 |
“The
play’s treatment of problems of past and present provide a thoughtprovoking
thrill on the stage of the Comedy Theatre…”
I
AM THIRTY - BEREMÉNYI-KERN-MARTON-RADNÓTI-ADAMIS-PRESSER
Daily
News, 19 March, 1975. Baló György
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|
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| |
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|
| |
“Nowadays
Vígszínház is the best theatre of Budapest, one of the reasons is, that
this company is the most successful in supporting the contemporary Hungarian
drama.
CUBIC
SPACE - BEREMÉNYI
Tükör,
26 November, 1978. Tamás Koltai
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|
 |
|
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| |
“…And
it is impressive, in the most positive sense of the word. Marton’s winged
but self-disciplined artistic phantasy holds the soul, the attention and
the taste of the audience for two-and-a-half hours.”
THE
PRINCE OF HOMBURG - KLEIST
Esti
Hirlap, 11 January, 1980. Flóra Fencsik
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 |
|
| |
|
|
|
| |
„This
production is a splendid proof of dramatic art being independent art...It
is not only the best Hungarian staging of Moliere, but also the playwright
Bulgakov’s most complex representation in our theatre art.”
THE
ROYAL COMEDIANS - BULGAKOV
Népszava,
6 November, 1980. András Rajk
|
 |
|
| |
|
|
|
| |
„Laszlo
Marton’s clear, analytic direction …is without fake illusions and through
its simplicity it shows up the virtues of the play…”
KING
BELA THE BLIND - SZÉKELY
Népszabadság,
Budapest, 5 November, 1982. Tamás Tarján
|
 |
|
| |
|
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| |
“This
new work found the company in splendid form under the guidance of the
theatre’s artistic director, Laszlo Marton”
PUSH-UP - TIBOR GYURKOVITS
Plays
International, 1987, Mia
Nadasi
|
 |
|
| |
|
|
|
| |
"In
László Marton's direction we have seen a show that is intense
and of first-class... It is an outstanding studio production."
THE
HUNT
Népszava,
7 May, 1981. András Rajk
|
 |
|
| |
|
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| |
|
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| |
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|
„Laszlo
Marton discovers the subtext with an exceptional care and philologic precisity
and manages to enrich and accelerate it with a real burst of ideas.”
A
MIDSUMMER NIGHT’S DREAM - SHAKESPEARE
Népszava,
26 April, 1983. Judit Csáki
|
|
| |
|
|
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| |
 |
„Marton’s
production is breathtaking, thrilling and highly tensioned.”
THE
PROCONSUL OF CALIGULA - SZÉKELY
Kritika,
13 January, 1989. Gábor Novák
|
|
| |
|
|
|
| |
 |
„Passionately
up-to-date (...) The production is elaborated to the smallest details
and is rich with thousands of ideas. A first-class staging.”
AS
WE DO IT - SPIRÓ-MÁSIK
Képes
7, 6 May, 1989. Tamás Barabás
|
|
| |
|
|
|
| |
 |
"Artistic
director László Marton's taste, culture and self-restrained
is without any mistakes."
INCIDENT AT VICHY - MILLER
Népszabadság,
10 January, 1994. Péter Molnár Gál
|
|
| |
|
|
|
| |
 |
“....innovative
staging...great production!”
RICHARD
III - SHAKESPEARE
Newsweek,
3 January, 1992, Michael Meyer
|
|
| |
|
|
|
| |
 |
"László
Marton directed a truly modern and excellent performance that is thrilling
and exciting. It is full of astonishing moments, great scenes as well
as monumental interpretations."
MACHBETH - SHAKESPEARE
Pesti Mûsor,
21 December, 1995. Tamás Barnabás
|
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| |
|
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|
“Marton’s
direction builts on music with enermous pleasure without distorting the
plays dramatic structure and also avoids the traps of extravagacies.”
MASTERCLASS
- McNALLY
Magyar
Hírlap, 16 November, 1996. Anna Földes
|
|
| |
|
|
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| |
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“Artistic
director Laszlo Marton’s taste, culture and self-restrained direction
gives a nice, joyful theatre evening to the theatre’s guests.”
SYLVIA
- GURNEY
Népszabadság,
29 September, 1997. Gál Péter Molnár
|
|
| |
|
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| |
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“Director
Laszlo Marton’s vivid and mobile ideas are almost overflowingly rich.”
14
SZENT ISTVAN BOULEVARD - KERN-PRESSER
Magyar
Hírlap, 24 October, 1998. Anna Földes
|
|
| |
|
|
|
| |
 |
“Laszlo
Marton professionally staged the work of a professional writer”
POPCORN-ELTON
Magyar
Hírlap, 2 January, 1999. Anna Földes
|
|
| |
|
|
|
| |
 |
"There
is a woman. She loves me. There is a woman. She hates me."
(Péter Esterházy)
A WOMAN - ESTERHÁZY - IGÓ - RÁCZ
(a theatre evening from Péter Esterházy's
novel)
1 February,
2000.
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