Shakespeare's A Midsummer Night's Dream  
           
  1982 Budapest Vígszínház Shakespeare A Midsummer Night's Dream  
  1983 Actor's Theatre of Louisville Shakespeare A Midsummer Night's Dream  
  1999 Chicago Court Theatre Shakespeare A Midsummer Night's Dream  
           
  Moliere's The School for Wives  
           
  1973 Budapest Vígszínház Moliere The School for Wives  
  1976 Helsinki National Theatre Moliere The School for Wives  
  1985 Actor's Theatre of Louisville Moliere The School for Wives  
  1987 Tel Aviv Habima Moliere The School for Wives  
  1996 Santa Fe Stages Moliere The School for Wives  
  1998 Chicago Court Theatre Moliere The School for Wives  
2000 Toronto Soulpepper Moliere The School for Wives  
2000 Playmakers Theater, Chapel Hill Moliere The School for Wives  
           
  Plays by Ferenc Molnár  
           
  1981 Detmold Molnár The Guardsman  
  1995 Actor's Theatre of Louisville Molnár Olympia  
  1996 Chicago Court Theatre Molnár The Play's the Thing  
  1997 Santa Fe Stages Molnár The Guardsman  
  1999 Toronto Soulpepper Molnár The Play's the Thing  
  1999 Ottawa Art Center Molnár The Play's the Thing  
  2003 Toronto Soulpepper Molnár The Play's the Thing  
           
  Plays by Anton Checkhov  
           
  1991 Toronto Soulpepper Chekhov Three Sisters  
  1999 Toronto Soulpepper Chekhov Platonov  
  2000 Toronto Soulpepper Chekhov Platonov  
  2001 Toronto Soulpepper Chekhov Uncle Vanya  
  2003 Playmakers Theater, Chapel Hill Chekhov Uncle Vanya  
   
  Plays by Ibsen  
           
  2003 Abbey Theatre, Dublin Ibsen Wild Duck  
  2004 Milwaukee Repertory Theatre Ibsen A Doll's House  
  2005 Toronto Soulpepper Ibsen Wild Duck  
           
           

A great modern play, brilliantly done

Chekov's Platonov
du Murier Theatre Center, Toronto

By Robert Cushman
National Post, 9 September, 1999.

         
         
         

In and around Torontothis has been a glorious theatrical summer. (...) Soulpepper has had the stunningly simple idea of putting good actors in good plays and placing both in the hands of good directors. It’s that last component that separates it from some well-intentioned actor’s collectives; and its association this year with Hungarian director Laszlo Marton has proved inspirational. His production of ”The Play’s the Thing”was a beautifully sustained exercise in high comedy; his version of Chekhov’s Platonov is that and much more.(...) I confess that up to a couple of years agoI would not have thought theatre of this quality existed in Canada. This is a show that can face the world.