| Shakespeare's A Midsummer Night's Dream | |||||
| 1982 | Budapest Vígszínház | Shakespeare | A Midsummer Night's Dream | ||
| 1983 | Actor's Theatre of Louisville | Shakespeare | A Midsummer Night's Dream | ||
| 1999 | Chicago Court Theatre | Shakespeare | A Midsummer Night's Dream | ||
| Moliere's The School for Wives | |||||
| 1973 | Budapest Vígszínház | Moliere | The School for Wives | ||
| 1976 | Helsinki National Theatre | Moliere | The School for Wives | ||
| 1985 | Actor's Theatre of Louisville | Moliere | The School for Wives | ||
| 1987 | Tel Aviv Habima | Moliere | The School for Wives | ||
| 1996 | Santa Fe Stages | Moliere | The School for Wives | ||
| 1998 | Chicago Court Theatre | Moliere | The School for Wives | ||
| 2000 | Toronto Soulpepper | Moliere | The School for Wives | ||
| 2000 | Playmakers Theater, Chapel Hill | Moliere | The School for Wives | ||
| Plays by Ferenc Molnár | |||||
| 1981 | Detmold | Molnár | The Guardsman | ||
| 1995 | Actor's Theatre of Louisville | Molnár | Olympia | ||
| 1996 | Chicago Court Theatre | Molnár | The Play's the Thing | ||
| 1997 | Santa Fe Stages | Molnár | The Guardsman | ||
| 1999 | Toronto Soulpepper | Molnár | The Play's the Thing | ||
| 1999 | Ottawa Art Center | Molnár | The Play's the Thing | ||
| 2003 | Toronto Soulpepper | Molnár | The Play's the Thing | ||
| Plays by Anton Checkhov | |||||
| 1991 | Toronto Soulpepper | Chekhov | Three Sisters | ||
| 1999 | Toronto Soulpepper | Chekhov | Platonov | ||
| 2000 | Toronto Soulpepper | Chekhov | Platonov | ||
| 2001 | Toronto Soulpepper | Chekhov | Uncle Vanya | ||
| 2003 | Playmakers Theater, Chapel Hill | Chekhov | Uncle Vanya | ||
| Plays by Ibsen | |||||
| 2003 | Abbey Theatre, Dublin | Ibsen | Wild Duck | ||
| 2004 | Milwaukee Repertory Theatre | Ibsen | A Doll's House | ||
| 2005 | Toronto Soulpepper | Ibsen | Wild Duck | ||
|
A great modern play, brilliantly done Chekov's
Platonov By
Robert Cushman |
In and around Torontothis has been a glorious theatrical summer. (...) Soulpepper has had the stunningly simple idea of putting good actors in good plays and placing both in the hands of good directors. It’s that last component that separates it from some well-intentioned actor’s collectives; and its association this year with Hungarian director Laszlo Marton has proved inspirational. His production of ”The Play’s the Thing”was a beautifully sustained exercise in high comedy; his version of Chekhov’s Platonov is that and much more.(...) I confess that up to a couple of years agoI would not have thought theatre of this quality existed in Canada. This is a show that can face the world.